Archive | August 2022

A Story to Read When You First Fall in Love: The Age Gap Romance

Spoilers ahead.

Age Gap Romances are tricky. And, especially gaps where it’s the woman who is older. Depending on the story, they don’t always come across as believable, and then there’s just the Don’t-Even-Go-There! ones. A Story to Read When You First Fall in Love gets many, awesome story points, but as a romance, I wished they just didn’t even go there.

Maybe it’s because we now have so many lonely, aging, single women suddenly waking up to the fact that feminism has failed them. I don’t know what it is, but for some reason there are more and more age gap romance dramas where the women falls for a much younger man, or he falls for her, or whatever. It’s not totally unbelievable, certainly there are relationships like this in real life, however they are not the norm, and this sub-genre of romance is definitely also in the fantasy category. In this particular drama, a Japanese drama, it really only works for one reason: The female lead is extremely beautiful almost to the point of looking ageless. If she was an average looking woman, this relationship would be creepy. In fact, later on in the show, the show itself showcases the creepiness of such relationships using a woman of the same age who is slightly less beautiful, and more manipulative.

But I get ahead of myself. Harumi Junko is a cram school teacher who never really made it in life. She failed the test for Tokyo University and just settled into being sort of a nothing. She is thirty-two, still living with her parents, and at risk of losing her job because she’s not a popular teacher at the school. Through happenstance, Harumi comes in contact with a group of teenage boys and somewhat befriends them. Later on, one of the students, a boy with pink hair named Yuri comes to her cram school. He’s a slacker who decides he wants to pass the test for Tokyo University. This is a nearly impossible feat, for he’s barely up to junior high standards in scholastic activity. However, Harumi sees something in him, a bit of herself at the same age, and she strives to help him see this through despite difficult odds.

This in itself would have been a great story, no romance needed. But, because the writers decided to go the Don’t-Even-Go-There! route, it’s also a romance. Not just any romance, no. I am not sure what’s worse, the sixteen-year age gap, the fact that Yuri is a minor and only seventeen for most of the show, or the fact that they are very clearly teacher and student. I think the last fact is the stickler for me. Coming from an American perspective we have a lot–a lot–of thirty-something female teachers who end up in sexual relationships with their male students and have ended up charged with crimes, doing jail time, etc. Fortunately in this story the female lead is so utterly clueless about any romantic attention towards herself that it’s the farthest thing from her mind until about the last episode. That doesn’t really make it great, though.

A great platonic friendship between student and teacher would have made more sense. And this is because the largest portion of the show is all about Yuri studying and striving with blood, sweat, and tears to pass the test and make it to Tokyo university. Everyone, and I do mean everyone, on the show cheers him on. And so the romance is pushed to the side…yet it’s not.

Harumi actually has three possible love interests in the show, and all are Don’t-Even-Go-There! Besides Yuri, we have Masashi, Harumi’s successful cousin who works at a trading company and who incidentally went to Tokyo University. That’s right, he’s her cousin, her literal cousin who has been in love with her for twenty years and too scared to make an actual move. Then we have Kazuma who is not only Yuri’s teacher at school school, but the first person that Harumi ever taught. He’s a bad boy, who is awesome and flirty and…married. Yes, married. But he gets divorced. I wish I could say that made things better. It didn’t. Suffice to say, with three possibles and a very clueless heroine, the show actually has very little romance, so, so little that it could have been done away with altogether.

With Yuri, he’s a minor, and of course you can’t show Harumi wanting or doing something illegal, so that’s out. There’s not a lot of “story” to their love story. Then there’s her cousin. Same deal. Then there’s the sometimes married, sometimes divorced one. Same thing again. The only way the romance kind of works in the end is that Harumi finally gets a clue already and actually does something for herself for a change. Thankfully, by this point our pink-haired hero is nineteen. Still with the pink hair, though. Yes, this man will never change, not even his hair, so you, beautiful woman, sixteen years older, have nothing to fear.

Yet there’s a lot to love about this show. Not the title, which has nothing to do with anything, but the characters. Almost every single one of them turns out to be really good people. These are people that genuinely love and care about others, and that’s pretty awesome. The cousin in love wins us over by the fact that he really does love Harumi and wants what’s best for her. He is true to her and helps Yuri for the test any way he can even though this boy is his rival. Masashi just tried so hard, yet fails so miserably, one just can’t help but root for him. But by the end, he gets the truth: cousin or no cousin, Harumi is just not into him like that. Sad, but true. He has a great line, asking her to give him a clear rejection, so he can move on. That’s a life lesson there. Often we want to let people down easy and it’s better just to give them the straightforward truth so that they can move on and find the one who will love them.

The bad boy teacher makes the biggest, selfless move, seemingly giving up everything so that Yuri can have a chance at succeeding on the test. But his move sacrifices any chance he and Harumi could be together. It’s all okay, though, because he still loves his wife, or ex-wife, or whatever she is. At the end he says he’s courting her, which is rather cute, and he becomes a politician, giving up his teaching career. He also has the best flirtations on the show and a sort of dry humor. He and Harumi drink together and fall asleep. He touches her boobs, but swears to her he didn’t do anything else because he doesn’t want to sleep with her when she’s drunk. He wants them to be coherent and in love, etc. Puzzled, she asks, then why did you touch my boobs? Because they’re there, is his answer. That got a laugh out of me. I don’t know, sometimes in these shows it’s just nice having men being, well, men. And it was just refreshing that he didn’t come up with any big excuse or falling over apology that really wouldn’t have been sincere. She obviously forgives him, for they continue to be friends.

In addition to the heroine and the three love interests, all of the minor characters on this show are also great. Some strange at first, but they all come around and are, fantastic, caring people. Interestingly, none of them are truly put out by a Harumi-Yuri romance, but then this is a bit of a fantasy. It is also a comment that people of all ages do fall in love, and sometimes with those deemed unlikely to be the object of one’s affection.

It is true that age gaps matter less the older one is, however, it was just unseemly that Yuri was a minor and also her student. It’s hard not to see a “grooming” aspect in the story, and the writers know full well it is there as they address it later on with another teacher the same age as Harumi who definitely preys on her students in a romantic way. This is then swept away as she just does it to motivate them to study. Really?!? In the last episode many other teachers at the cram school state that when the students pass their exams they will often give love confessions to their teachers. Maybe stuff like that does happen, and sure, students sometimes get crushes on their teachers, but it’s odd to make it seem so lighthearted and so commonplace mixing romance with teacher-student relationships. Maybe I am just too cynical, but what’s the real agenda of such plot lines?

Age gaps: Sixteen years. This is one of the biggest age gaps I’ve seen in an Asian drama. My favorite one, High School King of Savvy, was ten years and definitely and solidly more of a romantic comedy, with a clear emphasis on both. They took pains to show how the pair was a match for each other and also that the young man was ready to be a man. It still has a bit of a weird factor, though. Then there’s Secret Love Affair that is almost a work of art when it comes to the sound and cinematography, but has a twenty-year age gap with the man being younger. In that one at least he’s not a minor, but the woman is married. Don’t-Even-Go-There! but the writers do and somehow manage to tell compelling stories while doing so.

Book review: The Devil in the Dark Water

SPOILERS

As I very much enjoyed The 7 1/2 Deaths of Evelyn Hardcastle, I was super excited to read Stuart Turton’s next book. Okay, to be fair, the ending of 7 1/2 Deaths wasn’t ideal, but it’s a story in which whatever explanations comes up it will sound hokey. It’s just that kind of story. The Devil in the Dark Water, however, is different, more of straightforward whodunnit and set in an interesting period of time, the 1600s and on the high seas to boot.

The first half or so of the book was great, very good set up, etc., but I was disappointed that this very famous detective Samuel Pipps was barely a part of the story. The two characters who end up being the detectives, as Sammy is imprisoned, were sorta bland, if good people. There was some vibrancy lacking in their characters. The ending explained just why Sammy couldn’t be the detective in the mystery and that reveal was actually okay.

I don’t know much about sailing on the ocean, much less at that time in history, but it strained credulity to me that they ended up shipwrecked on just the island they were supposed to be shipwrecked on. This after a very long storm that the culprits couldn’t have known was coming. Also, I struggled picturing the world of the boat in my head. Some of the descriptions were fine, but I didn’t quite get how or where all the other passengers who weren’t the main nobles fit onto the boat. Perhaps in my head the ship was smaller than it actually is in the book. Also, by the end of the story, I was thinking more of the show Lost than that time period. The atmosphere had disappeared.

The ending ending. The answers to the mystery all made sense to some degree, but what did not make sense is that our upright heroes agree to form a secret society with the murderers to supposedly bring judgement on “bad” nobles. These people had just been betrayed by who they thought were their best friends. The “friends” they are going to collaborate in the future are untrustworthy to the extreme, and are also violent and dangerous. They have no problem harming the innocent in their desire to deal out “justice.” I found the ending bizarre and lacking in morality. Repulsive, even. Suddenly the main characters no longer seemed good, or any good. A society like this would be something to be afraid of. On the one hand we can all understand the idea of vigilante justice, but on the other, the reality of a world run that way would be terrifying. Robin Hood or Batman are fictional also, but these guys have rules. To some degree they do their stuff within the bounds of law and morality. With the people in this book, however, I shudder. It clearly struck me in reading the ending how much I did not care for any of the characters.

Sometimes it would be far better to simply end on a cliffhanger. And now I really want a smashing good detective story about Samuel Pipps, a good Sammy Pipps who’s like Sherlock, just in a different century.

Turton’s definitely got talent, but I think it’s difficult on the next book when the first one’s such a success. It’s like poor, M. Night Shyamalan trying to comeback after The Sixth Sense. Expectations are next to impossible. That being said, the ending was terrible and unlike, 7 1/2 Deaths, I do not recommend this book and it will not stay on my bookshelves.