Tag Archive | romantic comedies

What’s Wrong with Secretary Kim?: Kdrama review

This show was a second watch for me, and I was surprised to see I hadn’t actually written a review on it. Well, that’s getting remedied now.

Let me tell you about the life of a secretary: Often it is a very demanding, very thankless job in which one is given more and more tasks to be done often without additional pay and certainly no additional time in which to do them. It is also extremely rewarding to be that cog in the wheel that makes everything work. Secretaries are vital to most organizations, but it’s like one’s vital organs, they just work, one doesn’t think about them unless something is wrong.

What’s Wrong with Secretary Kim? is a Kdrama romantic comedy starring Park Seo Joon (She Was Pretty) as company VP Lee Young Joon and Park Min Young (City Hunter) as his long-suffering secretary, Kim Mi So. After working together day in and day out for nine years, Young Joon is shocked to find that Mi So wants to resign and leave him. And of course, he doesn’t want her to leave. The drama is based on the book of the same title by Jung Kyung Yoon. It’s kind of the plot of Two Weeks’ Notice starring Hugh Grant and Sandra Bullock, and a little bit of The Devil Wears Prada.

This show is a wonderful blend of romance and comedy, and although I thought the ending episodes dragged a bit, I think I enjoyed it more the second time. All of the little details and jokes really shined. Park Seo Joon is hilarious in his role as a narcissistic, demanding boss who is actually a big softy. The character’s vanity is largely for show, as she finds he actually cares about those he loves to an almost dangerous degree. Park Min Young matches Seo Joon scene for scene, giving us plenty of comedic reactions of her own and somehow makes Mi So’s passive aggressiveness lovable.

What really me got hooked watching again, though, was the back story of a traumatic past for both of the characters and also the glimpses into their years of working together. We get to see Mi So actually shouting– shouting–at her ridiculously demanding boss. And with good reason, as he is way too demanding. However, as we later learn, Mi So is also very under qualified for this position. But we then get to see her come back the next day and strive to meet his expectations. Time and time again we get to see her do this, letting Young Joon shape her into what his perfect secretary needs to be. I can tell you this is part of being a secretary. You’re given impossible tasks that you just can’t do, you complain, and then you come back striving to meet every single one. Sometimes high expectations really aren’t a bad thing, and this drama showcases that. Also, although Young Joon is vain, he’s not incorrect to be so to some degree: He’s handsome, wealthy, smart, keeps his company a success, and does have some right to be demanding. And because Mi So has grown to match him, she has every right to be demanding of him as well.

As for the romance, it’s pretty typical and classical and would almost be boring except there’s just so few of these kinds of stories around anymore, even in Kdramas. Mi So isn’t off on a feminist jaunt of some kind, she realizing she’s missing what most women want: a husband and family. When Young Joon finds this out, he comes to the logical conclusion that he should be said husband. This all happens because Mi So is finally calling in her card–Young Joon needs her, and for more than just being a secretary. It’s not just recognition of her work she is looking for, but for Young Joon to acknowledge her as a woman who has her own needs. Like in Two Weeks’ Notice, both have really been in love with each other for nine years, they just didn’t really know it. Can and does that happen in real life? Maybe, maybe not, but either way it makes for a good romcom material. I think woman as secretaries are a great thing for that position so clearly highlights how women are built to be helpmeets for men, which is far more than just a helper. In this story, the two are equals, though maybe they didn’t start out that way at first. It’s evident by the end that should Young Joon be out of commission for awhile that Mi So would be able to run the company in his stead. Classic romance is the best romance, hands down, and empowering to both sexes.

In the show there are also some background romances, carried off hilariously by comedic actors Kang Ki Young (I Am Not a Robot) and Hwang Bo Ra (Love Rain). Kang plays Young Joon’s second in command who has his own awesomely inept secretary and is a master at sarcastic comments. Hwang’s character is part of the secretary office team and is funny as a women with zero tact and an inflated ego who falls for a puppy dog hero chauffeur. There’s also a sweet romance with secretary Mi So’s replacement and a workaholic, which really highlights that some people reject others not because they do not like them, but simply because they are not ready for romance. A good romance has a lot to do with timing, probably more than we acknowledge. For women in childbearing years, they don’t want to waste time. For men not in a position to provide all that they want for a family, they want to wait until they are in that position. Neither side is wrong, but they do clash on occasion.

What’s Wrong with Secretary Kim? By the end of the show, nothing. Everything has been resolved with wedding bells just like it was supposed to be. They are a team in work and in life, and are considerate and caring of each other, just like couples who love each other should be. More of this stuff, please. At the end of the day, it’s good, it’s wholesome.

Full House Kdrama (review)

Full House KdramaGreat ideas suffer. I know this, because as a writer, I have many great ideas are hard to carry out. Great ideas and the execution problems that go with them often plague artists from all genres and all walks of life. The 2004 Korean drama Full House suffers from a great idea that was oh so poorly executed. Good writers can make bad actors look and sound good, and vice versa, but put bad writing and acting together and you end up with worse than bad: mediocre.

It’s standard rom-com stuff: Boy meets girl or girl meets boy and either one hates the other, or they both detest each other.  Full House establishes the mutual hate early on, and, honestly, there’s not a lot to like about the characters, though we sympathize with Han Ji-Eun, a good-hearted orphan who gets massively taken advantage of by two supposed friends.  She meets movie star Lee Young-Jae on the way to what she thinks is a free trip she won to Shanghai.  Panic starts to set in once she realizes that her ticket is one-way, there are no hotel reservations for her, and that she cannot reach her delightful friends who not only put her in an extremely dangerous situation, but also end up stealing and selling her house (as they aren’t the actual owners, I’m still not quite sure why they were able to do this, but, whatever, it happened).

Han Ji-Eun decides to turn to the only other Korean she knows in China, Young-Jae.  This would be like me being stuck in India and the only other American around would be Leonardo DiCaprio.  Would I ask Leo for money and/or help?  And this all after I threw up all over him on the airplane ride over?  Hmm.  Massive comedy ensues…or should ensue.  This was the first big misstep for Full House.  They could have played up this damsel in distress vs. the movies star’s view of a fan gone crazy for at least another episode or two.  Not only for laughs, but also for the romance angle, Ji-Eun’s situation could have been made far more dire.  Shanghai’s a big city and she’s quite dumb and naive at first.  It would have been great to see Young-Jae have to get her out of some other sticky situations before they even set foot back in South Korea.

But that’s not what happens.  What happens is that Ji-Eun is helped by his much cooler, much hotter, and much more confident friend.  This initial interaction at the hotel puts our romantic hero at a distinct disadvantage from which he never quite recovers.  Despite or rather because of how this girl irritates him, movie star Young-Jae helps her to get back to their country, probably hoping he’ll never see her again, but as the three rom-com fates would have it, he of course has decided to buy a new house that is of course Ji-Eun’s which has been callously sold by her two dear, dirtbag friends.  To make a long story short, the two leads decide on a contract marriage so Ji-Eun can work off the debt she owes Young-Jae and eventually get her house back.  He gets a poor attempt at making his long-time crush jealous, a move that actually works, though it really shouldn’t, as his long-time crush is longing for the better looking friend from the beginning.

What ensues after this fake marriage ceremony is a lot of cleaning. I’m talking massive amounts of cleaning that should only be shown on infomercials. Full House is named as such because it’s supposed to be full of love, but I think it’s actually full of a ton of dirt that can’t be seen by the naked eye and is wiped, brushed, and swept away by Young-Jae and Ji-Eun over the course of sixteen episodes. The insane amount of time the characters spend cleaning (and also staring into space) is such weak writing, I have to wonder if the writers of this show still have jobs. Why on earth did they think that cleaning was an interesting and romantic way to carry the story along? People do other things in their houses besides cleaning.  In addition to all of the cleaning, both leads spend the rest of their time yelling at each other like two brat siblings. These characters are supposed to be in their twenties, and while it is often charming for lovers to act childish, here it’s just one toddler tantrum after another.

On top of that there is no hint or speck (perhaps it got swept away with all the cleaning) of romance between the two! Even when two characters of the opposite sex don’t like each other, it’s often a thing in Rom-Coms (especially if they end up living together) to have them accidentally touch, bump into each other, pick the wrong moment to open the bathroom door, etc. Living with a strange (and theoretically very attractive) man for months in her own house should be unsettling as a woman for our heroine. As they grow to like each other, and because they are acting as husband and wife, it would have been more natural to have them start building a physical closeness. I’m not talking jumping right into bed like in American TV shows, but something more interesting than cleaning, perhaps? I mean, this is a movie star who is sadly not a player (that would have been too interesting), but who has a huge almost shirtless picture of himself in his own bedroom! This is also a guy who works out all of the time and there is no scene, no moment when Ji-Eun says to herself, “my, this pretend husband yells at me a lot and is a neat freak, but he’s also quite fit.” Considering that they do kiss once early on, and that they are legally married despite it being a charade, and that his family is hoping they will get pregnant soon, it’s head-scratching that there is almost zero sexual innuendos and/or references to anything of a sexual nature throughout the entire series. Sexual tension is a staple of these kinds of stories!  And it doesn’t have to be done in a licentious way, but could have furthered the romance of the story. I’ve made it (I don’t know why) to episode 15, and, honestly, they might as well just be brother and sister who live together and clean their house.

Full House isn’t completely devoid of romance and charm. There are fleeting moments and ideas, like a silly bear song that was introduced so out of place that it only became funny later on because they kept singing it so much. Random jokes are scattered throughout, but with no real attempt at humor. The overdone cleaning is sometimes endearing, as are a few of the numerous scenes where one character spends the night waiting for the other to come home. Clean, fight, wait. Repeat multiple times each episode.

The only character with real spunk was Young-Jae’s grandmother, played by Kim Ji-Young, a veteran actress who knows comedy. Song Hye-Kyo (The Winter, That Wind Blows) does a decent job as the plucky Ji-Eun, but the writers don’t give her much to work with. Indeed, I find it ironic that Ji-Eun is supposed to be a struggling writer who has trouble thinking up dynamic stories when the show suffers from the same lack of dynamism. The biggest problem actor-wise for Full House was the singer Rain totally miscast as movie star Young-Jae. Rain is pretty famous all over Asia.  When I taught English in China, a lot of my students were fans of his or knew who he was, so I’m a bit dumbfounded not that he’s a bad actor (so many singers want to be actors and vice versa, but should stick to their day jobs), but that as such a big performer with star appeal, he radiated zero of that star quality in the character of Young-Jae. Young-Jae has about two expressions and he spends the majority of Full House with his grumpy face on. Rain’s smile is adorable and, again, staggeringly underused.

Also miscast, but only because Rain was, was Kim Sung-Soo as Young Jae’s sort-of friend and the guy who makes a play for his sort-of wife. Kim is blessed with very good looks, and like I said earlier, it’s a blow to our romantic hero, as this friend is not only more attractive and manly than the movie star, but despite being labeled as a playboy (which is shown in exactly one scene) is kinder, more gentlemanly, and far more worthy of Ji-Eun’s love than the juvenile Young-Jae who. has. NO. game. whatsoever. The fourth person in this love quadrangle who is Young-Jae’s stylist and childhood friend/crush played by Han Eun-Jung. Like in most Kdramas, this female rival to the heroine is cooler, dresses better (as-in clothing pricing), and is never seen either cooking, cleaning, or anything connected to domestic life. She’s a magazine cutout with questionable hair and wardrobe choices.

Full House is a great idea for a story, but so poorly executed that it teeters on boring.  If you like you Rom-Com’s where the leads have to live together and/or pretend to be married and fall in love while doing it, watch the Kdramas that have done it better and in which poor acting is covered by good writing and vice versa (how many times have I used that phrase, now?), namely:  Playful Kiss (Mischievous Kiss), Personal Taste, To the Beautiful You, and Lie to Me.