5 Quick Drama and Movie Reviews

As has become my viewing habit, I tend to bounce around between shows and stories rather like a pinball.  One plot line captures my attention, and then a song or actor in the story leads me to another movie or drama that I start right away, and then something in that work will inspire me to look into a similar story or a different writer, director or actor, and so on.

This happens with books, too, and I find it hard to just stick with one story, drama, or movie straight through and am usually reading or watching up to twenty stories at the same time. Hopefully, this means I simply have a busy mind. 🙂  In any care, here are a few quick reviews of recent dramas or movies that I’ve watched.

  1. Till the End of the World.

This is a Chinese movie about a millionaire and a scientist that survive a plane crash in Antarctica and have to survive the elements. The CGI leaves a bit to be desired, and the movie’s not super dedicated to realism, but it’s a fun and a sweet love story at that. Mark Chao as the rich man Wu Fu Chun really wins the audience over as he braves the elements over and over, coming to love his environment at the same time. He also has uncannily resemblance to Korean heartthrob Choi Si Won (recently in Revolutionary Love) in parts. The female scientist, played by Yang Zi Shan, doesn’t have a lot to do, but her knowledge is instrumental in instructing Wu’s continual expeditions out into the cold and ice.

2. Our Town.

Our Town is a Korean movie from a few years ago. This story is extremely disturbing, with graphic levels of violence that had me covering my eyes half the time. So I probably missed a lot of the visual cues in the story due to that.  Our Town is essentially a study into the criminal murder’s mind, specifically those murders that do so in connection to a childhood trauma.  It has a slow feel like many noir films, and the environment is dirty and gritty and leaves you wanting to scrub away the filth after. The story has no positive light in it, except to say that trauma begets trauma, and is forthright about just how disturbed the minds of serial killers actually are.

I like murder mysteries and especially detective stories where they have to hunt a serial killer because I love the unfolding of the mystery. I like to watch the detectives put everything together. While that is fine and good, most murder mysteries often make murder into something mundane–the physical aspect and the horror of the killings are often glossed over to focus on the mystery. Our Town really plays up just how repulsive these killers actually are, and how sick of mind, and how tortured their inner soul. It is a mirror for the viewer: These people are truly ill and depraved, so why do we like watching these kinds of stories in the first place? Is it the mystery aspect? Is it so we can tell ourselves we are better than them? I don’t know, but I wouldn’t recommend this film unless you are calm of mind and have a very strong stomach.

That being said, the direction and acting are all outstanding, and I am disappointed to find that this appears to be director Jung Gil Young’s only work. If you know actor Ryu Deok Hwan only from shows like Faith (The Great Doctor), you will be dumbfounded by how scary he is in this. While the other lead character, played by Oh Man Seok (Squad 38) and Lee Sun Hyun (Pasta), are clearly haunted by their collective past, Ryu’s character copes by thriving from it.

3. Dating Agency: Cyrano.

This is from a few years ago as well and if you love romantic comedies, this is it. Episode one is great in showing how matchmaker Gong Min Young (a delightful Choi Soo Young, so dour and subdued in Squad 38) is initiated into treating her profession as James Bond-style missions. It is based on a similarly titled Korean movie, which I haven’t seen. It’s fun to see how all of the various love stories play out and frustrating how reluctant the male lead (Lee Jong Hyuk from Chuno [talk about epic story]) in showing his feelings or any passion whatsoever. We get a taste of what their romance could have been right at the very end, and it boggles the mind that the writer did not think to play it up more in the entire series. Maybe the James Bond plots were too much of the focus? The first half of the series is very enjoyable and reminiscent of romantic comedies past, but the second half veers off into a jumble of parts that may work separately, but don’t work together. The songs, specifically by Baby Cab Driver, are addicting. Altogether, the series is fun, but not a satisfying yarn.

4. Lawless Lawyer.

2018 seems to be the Kdrama year for procedurals and legal/detective plots. I am about halfway into Lawless Lawyer, about a young lawyer taking unorthodox measures to bring officials to justice for their crimes past. I haven’t seen Lee Joon Gi (Fly, Daddy, Fly) in many dramas, but he is outstanding as rebel lawyer Bong Sang Pil, and sells the action scenes really well. Bong Sang Pil is also unexpectedly funny in parts, bringing a bit of levity to the otherwise downer of a story. Seo Ye Ji (Hwarang) as his accomplice is great as well, with her low voice and no-nonsense personality.

What to watch it for, though, are the villains: Corrupt Judge Cha Moon Suk (played by Lee Hye Young of Boys Over Flowers fame), and her lackey An O Joo (peerless Choi Min Soo (Sandglass). That both these actors are good at playing the bad guys is an understatement. Choi, in particular, is one of those actors who always becomes a different character for his roles. The downside, and why I’m only halfway through, is that the writing is stuck in the power play between the judge and her lackey and seems to be on temporary repeat. Even the best actors cannot overcome this, and I’m seeing both Cha and Choi becoming bored with their characters. I will continue watching in the hope that the loop stops, but find everything else about the series refreshing and very watchable.

5. High School King of Savvy.

This was a second watch for me, and I found the second time even more enjoyable than the first, as I could really watch how masterful Seo In Guk (Shopping King Louis) and Lee Ha Na (Voice) are in creating their characters. They sold the age gap in a way few other actors can or will. “Noona” romances, or those with older women and younger men are fairly common in Korean dramas, but Savvy walks right up to the line, making their man, Lee Min Suk, an eighteen-year-old high school student (he would be seventeen in Western ages), falling in love with someone ten years his senior. Student Lee Min Suk finds himself in a rock and a hard place having to take on a double life pretending to be his corporate hawk of a brother.

Similar plots have certainly been done both in Hollywood and Korean dramaland, but Savvy takes it to another level as the Noona romance ends up being somewhat of a surprise, so awkward is Lee Ha Na’s Jung Soo Young compared to her streetwise younger sister, that at first we can’t imagine anything beyond a sweet friendship between her and Lee Min Suk.

If you’re stuck on the age gap, Savvy will be a hard watch and unbelievable; if not, you’ll see a masterful writer, director, and actors all slowly building the cases of Min Suk’s and Soo Young’s characters and how they are right for each other, because they aren’t right for anyone else. Min Suk is clearly bored by the high school girl chasing him, and bored by being a high schooler in general, except for his passion for hockey. Soo Young, in her innocence, doesn’t realize that though we all feel for him, Yoo Jin Woo’s (Lee Soo Hyuk) trauma, cynicism, and loneliness, would simply become her trauma, cynicism, and loneliness. Soo Young only begins to shine under the steady love and affection of Min Suk, and it is only her experiencing that real love, that she can shake off her embarrassment at being manipulated by Jin Woo.

High School King of Savvy also has a great soundtrack, minor characters, like Min Suk’s dad and grandpa, that will melt your heart, some of the best kissing scenes ever, and some of the funniest commentary on office life in South Korea. What to watch it for, though, is the acting of the leads, especially Seo In Guk. Seo is currently my favorite Korean actors, so I’m a bit biased, but, like Choi Min Soo, he has the ability to become another person onscreen, a feat few, more experienced actors, can accomplish. He sells the coming-of-age Min Suk in a way no one else could have, making him half in childhood, half in adult. For contrast, watch Big with Gong Yoo. As much as I love Gong Yoo in other works, Big was a misstep for him, as his teenager thrown into an adult life often acts as if he’s in elementary school instead of high school.

It’s also interesting to see Min Suk in contrast to Soo Young’s sister, Yoo Ah. Yoo Ah is just a little younger, but there’s a few scenes inserted into the story indicating that an “Oppa” (older man) romance wouldn’t work as well or be seen in the same light. There is a different standard when it comes to men and women in this area. Men are often seen as being far more sexually mature in their latter teenage years, despite the women often physically developing faster. What a person is ready for, I think really depends on the person (and of course the laws of the country), but it’s an interesting male-female contrast that the story notes, and a contrast that wouldn’t be as well accepted in other cultures where men and women (rightly or wrongly) are shown, or at least said to be equal, in every way, shape, or form. Having been a been a teenage girl, the contrast and male-female difference make sense to me, but I’m sure there are many who would disagree. In any case, Min Suk is clearly more mature than his male friends his age as well, so the difference with him in this story is largely relevant to his personal character, and not a statement that all boys in their late teens are ready for all of what adulthood entails. Savvy took on the controversy and committed to it, which is to the credit of both the characters and story, even it turns some viewers away.

Okay, back to proofreading Trolls for Dust, Season Two, and working on the next notecard for my notecard story. Happy reading, everyone!  –Pixie B.

 

Notecard #5

Notecard #5 is finally done. I feel like Minnesota’s been dumped into the tropics with all of this heat and humidity, but I should complain. Still better than winter. Trolls for Dust 2 is finally ready for proofreading and I shall get out my red pen and mark away all of those awful typos and misspellings!  –P. Beldona

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June random thoughts

Isn’t it kind of bizarre that a very minor crash is enough to “total” a car? Maybe it’s just because I drive a really old car, but last year I was hit in a roundabout, so we were both going less than 20mph. Think how much we pay for cars, even used ones, and so many accidents and problems often cost a great percentage of what the car is worth to fix. People often complain how a health crisis can throw a family into poverty due to the high costs, well, so can a car crisis. For some, cars are considered a luxury, but in America in most places you really need them to get around. On the flip side, it’s can be a good thing that a minor accident can do a lot of damage, because it probably incentivizes people to drive safer as a whole. If we had indestructible bumper cars, it could mean more would recklessly drive, as a minor hit wouldn’t hurt them or the car.

Notecard story: Planning on getting another card out this weekend sometime. So far it has been a fun and challenging writing exercise and I’m thinking there’s potential homemade Christmas presents in this idea.

Priest slapping baby at baptism video. Not sure how viral this video is, or if you’ve seen it, but it is an amazing example of how parents and especially fathers are the main protectors of their kids. As the mom struggles even against a very old man, to get her baby away from him, it is the father’s physical strength that ultimately succeeds in the getting the kid away. As we recently had Father’s Day, it’s a great example showing how the fact that fathers are both willing and able to protect the ones they love is the primary reason they are needed. Really don’t know what was up with the priest, senility, or as some cry, demon possession of some kind, but it’s certainly scary to watch, especially because in a church and at a baptism that kind of violence is the last thing expected.

Trolls for Dust, Season Two: Revisions and proofreading are underway, and I hope to be able to share the awesome cover soon. I am really excited about this story and I am getting to reveal the longer arc of the series. In rereading Season One, it’s been fun to see that I really like some parts, some maybe could use work, but that as a book as a whole it is a good jumping off point for where Seasons 2, 3, and 4 are going. At first I thought the series would end up being a trilogy, but there is so much going on and so much material that I really want and need to do four books. Hopefully, each book won’t take four years to write, but I think as I get better at writing and storytelling and the whole process, things will come faster and faster over time.

Kid crisis/border crisis: Many Trump supports say that the biggest impact of his presidency is going to be to harshly deal with trafficking, especially child trafficking and abuse. And there’s been thousands and thousands of pedophile and trafficking rings busted all over the world since he’s taken office. The current outcry with kids being held at the US border is a part of this. Many of these children are not with their parents, but with traffickers and abusers. So, it’s just going to be interesting to see how this all plays out.

Christian apologetics: Attended a conference for that this week and just found it so crazy that like in other fields, politics, medicine, law, etc., religion is the same. People are taught lies and not shown the facts that are available. There’s so much out there indicating the Bible is true, but what is taught in many places is this lie that there is no evidence at all that the Bible is true, and people grow up believing it. Believing in the Bible and Jesus as one’s Savior from sin is a work of the Holy Spirit and of faith, but if that is indeed the truth (and I believe it is), then it makes sense that there would be some amount of actual evidence indicating that it is the truth. It’s actually similar to the whole vaccine topic, because people often hold a different, higher standard for evidence for those two things above and beyond what in regarding other topics and fields they would accept as sufficient evidence. It’s fascinating and it really hit home to me that what evidence is accepted by the individual ultimately says more about the individual than the subject under consideration. We have a harder time with the facts and insist on more evidence when something does not confirm what we already believe, but readily accept almost any evidence that supports our current beliefs. This way of thinking is our nature and very hard to overcome to truly look at and judge things objectively.

–P. Beldona

The Stolen Necklace, Notecard #4

This week’s notecard is from Dorian Tolliver. He’s more competent than I expected, but uses stamps and symbols for no reason, which is why perhaps his sister and Charlotte have trouble taking him seriously. Big question: Does he have a thing for Charlotte, or is he just playing the gentleman?

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The Stolen Necklace, Notecard #3

So far I haven’t chosen to make any replies to the first couple of notecards, but I want to do that in the future, and the next card, I think, will be a response from Charlotte’s friend, Juniper. We also have yet to hear from Dorian Tolliver or Lord Dovecoat and could do with more from Aunt Amelia. The last note, I want to be short and either a surprise or something poetic and sweet. Seven more cards to go, though, so we’ll see. I like Rose a lot, but she and her brother seem like they would always be getting into trouble. The hard part is going to be making it a complete story. Stories are extremely easy to start, but ending them well, and especially short stories… uff da. Well, it’s good practice.

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The Stolen Necklace, Notecard #2

I am enjoying writing a story this way, and may do it again. Sadly, I really am not capable of either writing in or coming up with separate characters’ handwriting, so mine will have to suffice. Happy Reading.

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The Stolen Necklace: Card #1

So, I am proceeding with my attempt at telling a story in ten notecards.  The era is vaguely Regency, though my no means authentic and my cursive and penmanship are both hideous. This first card is from a Lady Tolliver to her sister, a Mrs. Albert Munch.

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Storytelling with Visual Aids

NotecardsMaybe it was just that the notecards are so fancy compared to my Minnesota life, maybe it was the thought that there must be some wonderful story ready to be unveiled in the slim, 10-card pack. Maybe I just really, really wanted by pretty stationary. Whatever the reason, ages ago, I bought this pack of notecards and envelopes from Barnes and Noble thinking that I would use them for a story…somehow.

Feeling creative, I’ve unearthed them from by box of (ahem) other unused cards and stationary. What I’d like to do is tell an intriguing story written as letters or notes on the cards. This is more problematic than you might think. A) I am a lefty with atrocious penmanship, so I will have to write painstakingly slow just to make the words legible. B) How do I go about different characters writing to each other? See problem A. How can I make my penmanship that of a lord or prince or captain or spy, much less a simple belle of the ball? C) What will the story be? Star-crossed lovers? Napoleonic spies as in The Scarlet Pimpernel? Humorous commentary on society, marriage and like, as in Jane Austen? Or will the story be about people writing from a far advanced future where physically writing on notecards to each other is in vogue again? So, so many possibilities.

Next week I plan to have the first card ready to present, so stay tuned. Maybe I’ll even attempt writing in cursive after too many years to say. At any rate, it will be a pleasant side trip from regular story writing. Back to my revisions, I go!

 

A String in the Harp: Welsh Tourism

Sometimes novels are more than just stories. Sometimes they double as travelogues, where the author was so completely immersed in the place they were living that the descriptions in the story act almost as an advertisement for that country or city. The very long and epic Shantaram by Gregory David Roberts, set in India, is a bit like that, as is my current read, A String in the Harp, which is set in Wales.

Wales is a bit of a mystery to many Americans. Is it its own country? Is it part of England? What can you even do there? And so on. Thus has been my own view of Wales added with a vague notion that Merlin lived there or King Arthur, or someone from that legend.

A String in the Harp (at least halfway through) doesn’t have anything to do with Arthurian legend. It is a story about a broken family mourning the loss of their wife and mother. The younger kids and dad have fled to Wales where Dad can be immersed in his university work. The oldest, Jen, flies over on her high school Christmas break to spend a few weeks with them. Wales is alternately cold, windy, rainy, mucky harsh, and in glimpses for her, beautiful.

Written the the 1970s when author Nancy Bond was attending school there, the plot is very slow, but it’s almost like a day by day travelogue of what Jen and her siblings are experiencing being in this wild and lonely country.  In this country tour inside a story, readers learn a bit of the culture, history, language, and meet a few of the locals. Jen’s brother Peter finds a key on the beach and soon realizes that this key open a window into ancient Wales. Things really start taking off when his sisters realize that something very odd is going on. This adventure may be what they all need to become content with each other again. I’m excited to see where the story goes.

A String in the Harp is a great book to read with a hot drink on a rainy night.

 

Arc of a Scythe: Playing God

Thunderhead coverWhat happens when humans are in charge of dealing out death? The Arc of a Scythe series by Neal Shusterman takes on this question. In a world where humanity has conquered death and is ruled by a collective consciousness called the Thunderhead (think of our modern internet “Cloud” on steroids), utopia still has not been reached. It has been deemed necessary that people still die, keeping to the natural order of things. And so a Scythedom was formed, a collection of humans chosen to be the grim reapers of mankind. The second installment of the series, Thunderhead, digs deeper into questions surrounding Scythes, namely, the biggie: Are they playing God?

As a nearly all-seeing, all-knowing artificial intelligence, the Thunderhead, is far more godlike, but is not allowed to deal out death or bring about life. There is a separation between Thunderhead and Scythedom in this futuristic America, much like separation fo church and state in what the series refers to as the “Age of Mortality.” Despite that separation, the Thunderhead finds a way around its own rules to alter the course of human history.

Thunderhead is one of those books you know is going to be great and it’s going to end on a cliffhanger and so you don’t want to finish it until the next book in the series is out. I was on a deadline to finish reading Thunderhead before returning it to the library, and I did return it a day late, but left the last third to read when book three is out. Thankfully, Shusterman will likely have the next book out in short order, not like, ahem, me.

The Arc of a Scythe series isn’t so much a plot-driven story as it is a philosophical debate. What is mortality, really? What would life be like if we never died? What would bring us to a state in which we allocated our fellow humans to periodically execute certain numbers of mankind? Is our technology merely an advanced way of building our own god? The rules and organization of Shusterman’s world are built and defined well. It has some similarities to The Hunger Games series, but, thankfully, leaves out most of the angst and hints at a more satisfying ending.

Arc of a Scythe seems at first a simpler tale than other teen series, but it has layers and layers of ideas, themes and concepts all building on each other and as a reader, you just know there’s going to be some big reveal (or maybe just hope there will be) like in The Giver, that just turns everything on its head. I really like the highlighting of autonomous or charter regions in Thunderhead, as it reminds me of my time in China and their similar setup. The idea of a sort of “planned community” type of freedom intrigues me. So many good stories are based off of this idea, The Truman Show, The 13th Floor, The Giver, and so on, and it’s a relatable concept for today as we have so much “freedom” and simultaneously so many, many laws to follow.

I can’t wait to read book three of this series and also to finish Thunderhead, and I really hope the series will be more than a trilogy, but Shusterman’s writing and world are great, so I think I’ll be happy with it either way. And I have to also add, his book covers are outstanding.