Tag Archive | kdrama reviews

Kdrama review: Devilish Joy

Wow. I wrote this a few days ago and totally forgot to push the “Publish” button! Argh. Well, happy reading. –Pixie

With a name like Devilish Joy, I was hoping that this Kdrama would be a fun, romantic ride. It definitely started out that way. Petite actress Joo Gi Beum (Song Ha Yoon) and hunky neurologist Gong Ma Sung (Choi Jin Hyuk) meet by chance on a visit to the Chinese island of Hainan and fall instantly in love. Their meeting was both naughty and magical, with a murder thrown in for extra intrigue, and I was set to experience, if nothing else, a thrilling story. Sadly, it wasn’t to be.

I’ve actually been to Hainan. It’s a lot like Hawaii–beaches, flowers, boardwalk, jet skis. It’s the kind of place where if you sit alone on the beach someone’s bound to come talk to you, ask you out, try to kiss you, or at least give you a friendly wave. In Hainan you can set off fireworks on the beach, drink cheap beer, and instantly make friends with people you will never see again. Probably all such tropical tourist vacation spots are like this, but the island was a perfect setting for the first episode. It went downhill after that.

As far as the general story of Devilish Joy, it wasn’t bad, neither was the acting or production. The height difference of the main couple was fun. I am 5’3″ myself, and it’s amusing to see just how short one does like–almost like a child–compared to someone a lot bigger and taller. It’s easy to see why bigger and taller people might not take one very seriously at first. The biggest drawback of the drama was that it wasn’t ambitious enough. Everything stayed very safe and close to the tropes we are used to: The overbearing rich family, the spend happy nonserious heirs, the plucky heroine doing everything she can to raise money for a family that doesn’t help her much, and a hero with a memory problem. For me it was all just, meh. So meh that I didn’t even watch the last couple of episodes.

The two leads were ok, but it seemed like their characters didn’t really suit them. Choi Jin Hyuk is way better in bolder, more physical and more emotional roles. He was wasted as the neurosurgeon with memory loss and didn’t even need to stretch his wings. I’ve started to the watch the popular The Last Empress, and I think he’s going to be a lot better in that (also, only a few episodes in, it is a fantastic thriller that doesn’t take itself too seriously. Definitely a review coming in the future). As for Song Ha Yoon, if I’ve seen her in anything else, I don’t remember her. She’s a good actress, but doesn’t quite have that “it” factor that keeps one watching. Also her character seemed to change drastically from episode one to the other episodes that begin three years later. Obviously, the character has been through a lot, but I struggled believing that it was the same girl. Same for the lead male character. On top of that, despite their magical beginning, the leads really didn’t have much chemistry after Hainan, and I think that’s partly due to bad writing and partly due to miscasting. I think that someone like Li Min Ho of Boys over Flowers fame would have been a far better choice here, because even if his acting is sometimes awful, he has a magical star quality presence. He also knows how to look at a woman onscreen–really look at her in a romantic way that draws the audience in.

There were some interesting parts and characters, but mostly from the minor characters. The romance between the leads wasn’t half as interesting as that of Sung Ki Joon (Hoya) and Lee Ha Im (Lee Joo Yeon), who were both alternately annoying and fun to watch. Their banter could have been its own show and Lee Joo Yeon just looks like a star and has a solid screen prescence. Hoya, who I’ve only see in Reply 1997, isn’t my favorite actor, but it was great seeing him play an over-the-top pop idol wannabe. Then there were the villains, the extremely one-note aunt and mother Gong Jin Yang (Jeon Su Kyeong) and the intriguing Dr. Yoon (Kim Min Sang). Kim Min Sang is an awesome actor (see him in Tunnel) who, again, was totally wasted here, but he brought depth and character to his role and made the doctor intriguing to watch. The other notable minor character was Joo Sa Rang (Kim Ji Young), Gi Beum’s younger sister obsessed with makeup. Please get this actress her own show! She has talent and feistiness galore and I wanted to see more of her.

Devilish Joy, named after the main characters, was a show that never really lived up to its name and seemed to be just going through the motions to get to the end of the story rather than trying to emotionally impact or even entertain the audience. If the writing itself it bland, everything else is bound to be bland, too. Other Kdramas are better and more worth one’s time.

The Show Must Go On

It’s funny that when one is working on a project, one sees similar themes and ideas everywhere. I am–probably too–proud of the fact that I’ve taken a scene I knew was bad and am rewriting it. Sometimes I think parts of my story are bad, but then in reading them later, think they are ok and keep them. It’s tough with writing because you can read your own stuff one day and think it stinks and the next barely recognize it and think, “who is this brilliant writer?  Can’t be me, can it?”  But some scenes are bad from the beginning, bad ideas, uninspired, and so on.  I’m excited because I genuinely found one I wanted to change and know the new one will serve the story better.

Speaking of rewrites, what person calls themselves a writer and thinks there will be no editing? No rewrites? No criticism? Now imagine that writer is writing for movies or TV and can’t stomach the possibility of their script being changed?  Bizarre.  I mean, who doesn’t know that the script changes constantly, especially when filming starts, and if it’s bad with movies, what about TV shows?

But I’m rambling. I’ve been watching this kdrama called The King of Dramas. It’s an awesome show with a huge flaw in that the writer lives in this fantasy of “no revisions, no changes” to her original script. Fortunately, she is learning (like I am) as the episode sprogress, but still. Her rigidity stuck out like a sore thumb at first and it was hard to suspend my disbelief.

The King of Dramas, or, in my mind, The Show Must Go On! with same-titled song from Moulin Rouge, is a 2012 kdrama about producing a Korean TV show. With epic music and everything from mafia financing to last-second deadlines, this show will have you wondering how any dramas are made at all. I mean, who would want all that stress and headache? And it become clear why showbiz people can be a bit neurotic. Anthony Kim (Kim Myung Min) is Macbethian in his strive for power, with ruthlessness and an alarming propensity for lying. Kim, the actor, has a magnetic presence about him and although everyone claims to dislike him you get the feeling they secretly want to be on his team.

The naive, stubborn writer is played by Jung Ryeo Won, and it’s refreshing to have a heroine for whom romance will turn out to be incidental. She’s also not overly crazy, mannish and loud, but womanly and thankfully doesn’t have any part-time jobs. I like the down-and-out-girl-with-10-jobs-and-a-relative-in-the-hospital, trope but it’s nice to have a break from it. Lee Go Eun is refreshing in her normalcy. Jung Ryeo Won also has a unique look that compliments her thoughtful character.

The comic relief in the show falls on the chosen lead of Lee Go Eun’s script, handsome and famous Kang Hyun Min. This guy fits every bad stereotype of an actor–vain, money and fame hungry, selfish–and he’s hilarious! Choi Si Won overcomes his distracting Ken-doll  looks by actually…acting, something that other K-pop stars seem to take eons to figure out.

Both male leads are jerks and the farthest thing from husband material. I’m about halfway through the series and am wondering if they are going to go with a love story eventually and if either will prove themselves worthy enough for the quite nice, but stubborn writer.  And being that she’s working with overbearing people, it’s also a good thing that she’s so stubborn, but I’m glad she learns to do some self-reflection when it comes to her writing. And the show is actually fine without a love story, so different still.

My favorite character, though, is the middle-aged cutie Jung In Gi. He plays recovering alcoholic director Koo Young Mok. Jung’s a bit more disheveled in this than I’m used to seeing (he’s in a ton of Korean shows and movies), but he adds much needed gravitas when the others are too over the top. He also is very believable as a kdrama director and steals a lot of his scenes simply by his presence. He’s a likable father figure to the younger characters–someone who has “been there, done that” but is still struggling himself.

I don’t know what else the real writers of The King of Dramas will throw at their characters in the remaining episodes, but I’m guessing there’s a good many inside jokes going on for those whose careers are built in show-biz. No matter the country or culture, entertaining people is rarely as easy as it seems. And somehow the shows do go on and on and on in miraculous precision.

–P. Beldona